Features

Twnda’s Unwavering Self Belief & the Power of Music

Exploring the Challenges of YouTube Monetization in Malawi and Pathways Forward
Empowering Malawian Producers: Registering with CMOs, Contracts, and Split Sheets
The Power of Credits: Elevating Your Music on DSPs
New Single “Effortfully” Tayamika
How to Maximise Music Royalties in Malawi
Empowering the Malawian Music Industry Through Technological Infrastructures (Part 1)
Understanding How Blank Media Levy Works for Artists
Unpacking the Blank Media Levy Controversy: Fair Use or Fair Compensation?
Seven Types of Music Royalties Malawian Artists Leave on the Table
Wrld of Jay, Icerp & Stati “NOT OUR CONCERNNN”
Alvin Misfit in the World of RnB and Trapsoul with “for you”
Sage Poet’s “Eden’s Enigma” Hip Hop Beat Tape
Chiko Chalie’s “Brown Skin Girl” A Self-Love Mantra for the Girlies!
Issabel King’s Journey “Ku Tsoka” Market
Producer Spotlight: Dominant One “The Dominator” – From a teen with hoop dreams to setting Hip-hop standards
Producers Spotlight: Hip-Hop Collective, Artium Magister
Winter BushFest: Northen Star Merchah
Winter BushFest: M-Dubz Afro Trapper Brainlock Sticx
Xmth Pens “something I wrote” Out of his Pain
Dvmiwrong’s New “Neeson” Single Inspired by Daughter
Up at “4.AM in 47” with Ja$per
Rethinking Success in the Malawian Music Scene, Beyond Vanity Metrics
Making Waves with Young Multi-faceted Media Personality, Chisomo Nyirenda
Eliyah Black’s “Kilimanjaro” – A Single on Overcoming Obstacles
“KBANDA”: A Malawian Hip Hop Anthem by dvmiwrong Featuring Ovilera and Hayze Engola
How YeahIKnow is Redefining Malawian Afrobeats Music
Exploring the Cosmos with Q Aura’s Voyager II Diskovery
Intellectual Property as a Driver of Economic Growth in Malawi
Understanding Intellectual Property in Malawi: Copyright & Industrial Property Rights
Krazie G Unleashes His Latest Masterpiece: “Just For Control”
The Future of Malawian Music: Tapping into Worldwide Music Trends
How Malawian Sound Engineers Can Elevate Live Performances with Soundchecks